{"id":21,"date":"2025-10-03T06:35:16","date_gmt":"2025-10-03T06:35:16","guid":{"rendered":"https:\/\/ways.dscalise.bergbuilds.domains\/?page_id=21"},"modified":"2025-10-06T17:47:56","modified_gmt":"2025-10-06T17:47:56","slug":"movie-poster","status":"publish","type":"page","link":"https:\/\/ways.dscalise.bergbuilds.domains\/?page_id=21","title":{"rendered":"Movie Poster"},"content":{"rendered":"<p><img decoding=\"async\" src=\"https:\/\/ways.dscalise.bergbuilds.domains\/wp-content\/uploads\/2025\/10\/1-Movie-poster-draft.png\" alt=\"Soft Murder\" \/><\/p>\n<p>For my movie poster I used the phrase \u201csoft murder\u201d from Susan Sontag\u2019s On Photography, a striking term she uses to describe the act of photographing people. The full passage reads: &quot;Just as the camera is a sublimation of the gun, to photograph someone is a sublimated murder\u2013a soft murder, appropriate to a sad, frightened time\u201d (Sontag 14). I was extremely intrigued by this phrase and by Sontag\u2019s overall perspective on photography\u2013that taking someone\u2019s photograph is a kind of intrusion or violation. She suggests that, although there is no physical harm in photographing someone, there is still a predatory element to it: that the photographer has power over the subject since the subject has no control over how they are represented, and that photographing someone\u2013to possess their image\u2013also means to objectify them. It captures a moment of the subject\u2019s life and turns it into the photographer\u2019s object, removing it from its original context to use for the photographer\u2019s own purpose. Similar to how murder takes someone\u2019s life, photography takes the authenticity and truth from a person and how they are both represented and perceived. <\/p>\n<p>In order to portray this idea, I made my hypothetical movie to be a thriller where a stalker lurks in the shadows so he can take photographs of his targets, making the moment he photographed no longer theirs but his property. I felt that making it a thriller, as well having the dark background, portrayed the invasiveness of photography pretty well since it looks like the man is hiding in the darkness with his camera, able to take a photograph at any given moment without the subject\u2019s knowledge. In addition, I decided to make the title two different colors: \u2018Soft\u2019 being white while \u2018Murder\u2019 is red so that there would be an emphasis and predatory feel while reading \u2018murder\u2019. I also chose the bold and block-ish font, ITC Franklin Gothic LT Condensed, for the title as I wanted to evoke the intensity, suspense, and seriousness of the film. Lastly, I really liked how the camera looks directly at the viewer head on, almost as if the man is staring into the viewer\u2019s eyes through the camera, ready to take a picture of them. I felt that this captured the feeling that the viewer had no choice but to be photographed\u2013that their choice was taken from them, which further implies how people are unable to pick how they are represented when someone takes a picture of them.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>For my movie poster I used the phrase \u201csoft murder\u201d from Susan Sontag\u2019s On Photography, a striking term she uses to describe the act of photographing people. The full passage reads: &quot;Just as the camera is a sublimation of the gun, to photograph someone is a sublimated murder\u2013a soft murder, appropriate to a sad, frightened time\u201d (Sontag 14). I was extremely intrigued by this phrase and by Sontag\u2019s overall perspective on photography\u2013that taking someone\u2019s photograph is a kind of intrusion or violation. She suggests that, although there is no physical harm in photographing someone, there is still a predatory element to it: that the photographer has power over the subject since the subject has no control over how they are represented, and that photographing someone\u2013to possess their image\u2013also means to objectify them. It captures a moment of the subject\u2019s life and turns it into the photographer\u2019s object, removing it from its original context to use for the photographer\u2019s own purpose. Similar to how murder takes someone\u2019s life, photography takes the authenticity and truth from a person and how they are both represented and perceived. In order to portray this idea, I made my hypothetical movie to be a thriller where a stalker lurks in the shadows so he can take photographs of his targets, making the moment he photographed no longer theirs but his property. I felt that making it a thriller, as well having the dark background, portrayed the invasiveness of photography pretty well since it looks like the man is hiding in the darkness with his camera, able to take a photograph at any given moment without the subject\u2019s knowledge. In addition, I decided to make the title two different colors: \u2018Soft\u2019 being white while \u2018Murder\u2019 is red so that there would be an emphasis and predatory feel while reading \u2018murder\u2019. I also chose the bold and block-ish font, ITC Franklin Gothic LT Condensed, for the title as I wanted to evoke the intensity, suspense, and seriousness of the film. Lastly, I really liked how the camera looks directly at the viewer head on, almost as if the man is staring into the viewer\u2019s eyes through the camera, ready to take a picture of them. I felt that this captured the feeling that the viewer had no choice but to be photographed\u2013that their choice was taken from them, which further implies how people are unable to pick how they are represented when someone takes a picture of them.<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-21","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/ways.dscalise.bergbuilds.domains\/index.php?rest_route=\/wp\/v2\/pages\/21","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ways.dscalise.bergbuilds.domains\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ways.dscalise.bergbuilds.domains\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ways.dscalise.bergbuilds.domains\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ways.dscalise.bergbuilds.domains\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=21"}],"version-history":[{"count":3,"href":"https:\/\/ways.dscalise.bergbuilds.domains\/index.php?rest_route=\/wp\/v2\/pages\/21\/revisions"}],"predecessor-version":[{"id":25,"href":"https:\/\/ways.dscalise.bergbuilds.domains\/index.php?rest_route=\/wp\/v2\/pages\/21\/revisions\/25"}],"wp:attachment":[{"href":"https:\/\/ways.dscalise.bergbuilds.domains\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=21"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}